Vampire
Stories is a collection of eighteen bone-chilling horror stories written by
various writers, based on vampires and werewolves. Alan Durant has only
compiled these stories into one book. This book is preferable for children aged
nine to sixteen.
Vampires have
always given many of us creeps: those piercing red eyes with their sinister,
hypnotic powers, those sharp, menacing fangs and all that
blood-sucking…Warevolves, on the other hand, have a pathetic quality about them
that we find somehow endearing. Whereas vampires are cool and calculating in
their malevolence, werewolves have the air of desperate, cursed creatures,
acting from some unhappy compulsion. This may have something to do with the way
the creatures were portrayed in the horror films we have seen. Dracula was a
suave, cunning, remorselessly evil villain, while the Wolf Man was a hairy
snarling, but rather brainless beast. Both creatures, though, have inspired a
rich and varied literature – and indeed continue to do so. Vampire stories, in
particular, appear in print with amazing regularly.
The myth of
vampires is not new, of course – even the Ancient Greeks had their bloodsuckers
(they were female demons called Lamiae) – but since the 19th century their
popularity as literary subjects has grown enormously. Much of this is due to
one book, Bram Stoker’s Dracula, the most famous vampire story of all. It is a
very long book and often tedious but it has some exceptional hair-raising moments.
But as a thrilling tale of terror, Clemence Houseman’s ‘The Werewolf’, is a
classic of its kind.
Some of these
tales you may already have encountered – for example, the ironically macabre
‘Gabriel-Ernest’ by Saki, and Arthur Conan Doyle’s ingenious ‘The Adventure of
the Sussex Vampire’, which features his celebrated detective, Sherlock Homes.
Many of the stories, however, you probably will not have come across before.
They encompass a wide time span, from the medieval French legend of the
Werewolf to the writer’s own story ‘Howl’.
With the
exception of one or two, all are tales of terror, though they may invoke other
reactions too: repulsion perhaps, excitement, wonder, shock, even pity. It’s
hard not to feel compassion for the ghostly vampire in August Derleth’s ‘The
Drifting Show’ and we defy anyone not to be moved by the resolution of Jane
Yolen’s haunting story, ‘Mama Gone’. On a lighter note, one or two of the
stories - Woody Allen’s spoof ‘Count Dracula’ and William F. Nolan’s
fang-in-cheek ‘Getting Dead’ – will make you laugh.
All the
stories are finely chosen and magnificently illustrated by Nick Hardcastle.
With compelling nature of the storytelling, different in style and content,
this collection is a spine-chilling pleasure to read.
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