Footnotes in
Gaza is a graphic book written by a journalist and is well-supported by his
investigation about two comparatively
unknown massacres of people in the Palestinian towns Khan Younis and Rafah in
1956, committed by Israeli army. Joe Sacco is a brilliant graphic journalist
whose offerings from the war-torn areas from across the world, in the graphic
report form, are said to be matchless.
Working
through the memories of survivors and UN/govt. files pertaining to these two
episodes, ignored as insignificant events in the Middle East, Sacco documents
what really happened then. Though the story is consigned to be nothing but
forgotten footnotes, Sacco feels it is imperative to tell it because the past
and present are a remorseless continuum and history must be built from these
obscure blocks.
If viewed on
the lines of Mossad, Footnotes in Gaza, rather, is an influential work. Joe
Sacco, of Maltese-American origin, has no personal axe to grind. In the early
2000s before Hamas takes over Gaza, leading to its (US-EU backed) total
blockade, Sacco went and lived in several towns of Gaza to collect data. He
makes allowances for unreliability of eyewitnesses due to passage of half a
century of time and also due to partisan bias. Thus, he infuses some
objectivity to the account of Israeli brutality in the face of their opponents'
helplessness.
The writing is
measured. The narrative oscillates to and fro effortlessly giving perspective
to a long forgotten episode. The drawings are poignant and intense, each frame
contributing to the story just how a paragraph in a literary book would do. The
combination of these two, the author's unhurried construction of the events,
his objective rendering of emotions in the frames bestows tremendous character
to this graphic journal.
The
extraordinary writing and pictures of Footnotes not only relives the poignancy
of brutal massacres in distant time and space, but also tells why and how
hatred was planted in hearts of people. The best graphic book ever produced on the
war-torn theme.
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